Within the highlight with FUJIFILM – With Adriana Bernal Martínez | Elevate Tech

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In the spotlight with FUJIFILM – With Adriana Bernal Martínez

CineD is at all times in search of a option to join creators and makers and naturally assist filmmakers showcase their work. That is why we’re partnering with FUJIFILM to showcase the work our filmmaking group has accomplished with FUJIFILM cameras. Meet Adriana Bernal Martínez, Colombia’s first official cinematographer. “Within the Highlight” is proudly sponsored by FUJIFILM.

As we speak we current the work of Adriana Bernal Martínez, Director of Images primarily based in Bogotá (Colombia), who not too long ago co-directed “REENCUENTRO”, a brief movie created with the FUJIFILM X-H2S mirrorless digital camera.

The movie tells the story of a courageous trainer who returns to her village to assist the area people get well after a interval of battle. In line with the trailer, which you’ll be able to watch under, her mission is to show her individuals to reside in peace.

Within the highlight with FUJIFILM – Adriana Bernal Martínez

Identify: Adriana Bernal-Martinez
At present primarily based on: Bogota Colombia
Spoken languages: Spanish (native), French (fluent) and English (intermediate stage)
Occupation: Director of pictures

Picture credit score: Adriana Bernal Martinez

Q: How did you get began in our trade?
A: I studied at La FEMIS, a global movie faculty in France, after which in 1998 I settled in Colombia, the place I used to be the primary cinematographer to work professionally. At first, since we did not actually have a movie trade, I labored on commercials and music movies, however with the event of the movie trade in Colombia I used to be in a position to begin engaged on TV exhibits and have movies.

Present assignments:
I am a cinematographer and generally I direct my very own tasks. I not too long ago did the cinematography and co-direction of the brief movie REENCUENTRO, a preview of which is proven on this article, made with FUJIFILM gear.

Picture credit score: Adriana Bernal Martinez

What sort of productions do you primarily movie?
I often work extra for TV sequence and documentaries.

What’s your dream activity/job in our trade and what are you really enthusiastic about?
I want to do extra films as a substitute of TV exhibits. I want to produce two function movie tasks as I’m at first a filmmaker. I need to inform tales!

Picture credit score: Adriana Bernal Martinez

Within the work that you just current to us, now that it’s accomplished, what would you’ve accomplished in a different way all through the manufacturing?
I’d in all probability scale back the variety of scenes. I believe that the frenzy doesn’t allow you to see the important. We needed to cowl a broader story than can usually be accomplished in a brief movie, the place the typical is near 10, max. quarter-hour. Despite the fact that we knew we solely had three days to shoot, we (each co-directors) determined to not lower scenes however to proceed with the story as we had conceived it, which was over 20 minutes.

Nevertheless, right now I believe we managed to do it by operating an excessive amount of and sacrificing our well-being through the shoot. If I needed to do it over once more, possibly I’d shorten the story to present extra time to consider every shot, give extra time to staging and dealing with the actors. I imagine that the connection between execution time and high quality will at all times be current in our career.

Picture credit score: Adriana Bernal Martinez

What digital camera, lenses and sound gear do you at present use?
The brief movie was shot with the FUJIFILM X-H2S digital camera, recording in ProRes 422 HQ 10-bit at 23.98fps with a shutter of 1/60 sec and two completely different ISO values: 1250, and 8000 in an evening scene, utilizing a little bit of noise discount later in put up manufacturing. Additionally, I used the F-Log2 curve with 4K DCI (4096 x 2160) decision and a pair of:1 facet ratio.

For lenses, we use MK 18-55mm and 50-135mm zoom with FUJIFILM X mount. I’m actually a fan of FUJIFILM/FUJINON merchandise for filming. FUJIFILM has earned a spot with its zooms. I believe Premista lenses are broadly accepted within the trade and I really like them.

Additionally, for documentaries or low-budget fiction tasks, MK zooms are fantastic. Now, with the arrival of the X-H2S digital camera, I believe that FUJIFILM offers us the chance to supply low-budget tasks with excellent high quality, which in Latin America means with the ability to inform tales.

Picture credit score: Adriana Bernal Martinez

He selected to shoot his challenge with the FUJIFILM X-H2S digital camera. Did you impose any limitations on your self akin to not taking pictures with a tripod?
The movie we shot was fiction and we needed it to have a really cinematographic aesthetic. Because of this the tripod was usually utilized in a really classical method, and a few lighting was added when the placement circumstances had been troublesome. The digital camera was outfitted with a full matte field and battery adapters identical to any skilled shoot.

Picture credit score: Adriana Bernal Martinez

What’s your favourite lighting equipment and why did you select that equipment over different options?
On this case battery powered LED lights had been used (Carpetino Carpet Gentle, NANLITE Forza 300B with Lantern Softbox LT-80 and PavoTube 15C x 4 RGB tubes). I used dedolight Lightstream mirrors to bounce the solar and pure gentle, as a result of we had been in a distant location, virtually like a jungle, the place we had little entry to electrical energy. I additionally used a fog machine to create the environment of the deserted faculty.

Do you employ drones/gimbals in your productions? In that case, what’s the only method you’ve discovered to implement them?
No, I do not use them.

Picture credit score: Adriana Bernal Martinez

What enhancing methods do you employ and are you glad working with them?
I’m very happy to have labored with DaVinci Resolve 17. Cecilia Vásquez (co-director) and I had been current all through the version with Jorge Román, our editor and colorist. The method was very clean and it took us lower than every week to complete the primary lower. Clearly, we labored rather a lot longer afterwards, however total the method was very clean.

How a lot of your work do you absorb “flat picture profile” and what’s your most well-liked type of colour correction?
I report every thing in F-Log2 and we use the ACES 1.3 workflow inside DaVinci Resolve. We work in HDR P3 D65 with Gamma 2084 PQ. Noise discount was utilized in post-production and we didn’t use in-camera noise discount, though it’s out there. I at all times work hand in hand with the colorist and if I’ve the chance I additionally assist in all of the processes. On this case, I did not, however for TV exhibits, for instance, I begin the work with the colorist in pre-production, creating LUTs to have on set through the challenge.

Picture credit score: Adriana Bernal Martinez

How usually do you journey and do you’ve any suggestions in the case of packing your gear?
I often have jobs out of city in locations that may very well be described as troublesome to movie. Nevertheless, what you pack depends upon the price range and the traits of every challenge. Whereas it is good to lighten our load and never pack giant quantities of heavy gear, generally the challenge requires a whole lot of gear.

Hyperlinks: FUJIFILM Website | Trailer, Behind the Scenes and Web site of “REENCUENTRO” | Adriana Bernal Martínez web site and Vimeo

Full Disclosure: East “Within the highlight” interview sequence sponsored by FUJIFILM.


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In the spotlight with FUJIFILM – With Adriana Bernal Martínez

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